American Glass: The Collections at Yale, by John Stuart Gordon, published by Yale University Art Gallery, pp. 278-279.
American History, Art, and Culture: Writings in Honor of Leo Fairbanks, published by Fuller Craft Museum, Brockton, Massachusetts, pp. 164-165.
Glass Art Magazine vol 33 no. 4 July/August 2018 issue, Westport, KY, “Toots Zynsky’s Filet-de-Verre Vessels: A Translation of Music into Color” by Shawn Waggoner, pp. 12-18.
Glass, The UrbanGlass Art Quarterly no. 152 Fall 2018 issue, New York, “When Worlds Collide” by Andrew Page, Chelsea Liu and Olivis M. Ryder, pp. 45-46.
The Glass Glass Collection, by John B. Henry, Ferdinand Hampson, and Patricia Grieve Watkinson, published by the Flint Institute of Arts on the occasion of the 2018 opening of the Contemporary Craft Wing, Flint, Michigan, pp. 198-199.
Glass, The UrbanGlass Art Quarterly no. 148 Fall 2017 issue, New York, “Thread Count(ess)” by Alexander Castro, pp. 21-27.
No Glass Ceiling! Women working in Glass, part 1, Palm Springs Art Museum, October 14, 2017, p. 22.
Glass, The UrbanGlass Art Quarterly no. 147 Summer 2017 issue, New York, pp. 33. “Making it on Mulberry (1981-1991)” by Andrew Page.
Une Passion Partagée, La collection Gigi and Marcel Burg au MusVerre, 2017, pp. 16-17. Published on the occasion of the exhibition.
Kunst una Künstler im Europa Park (Art and Artists at Europa Park), 2017, KöppelstätterMedia, GmbH. pp. 146-151 (translation insert pp. 26-27).
The Beauty of Shared Passion: Highlights from the Rebecca and Jack Benaroya Collection, Washington, Tacoma Art Museum, 2017, pp. 25,86.
New Glass Review 37, published by The Corning Museum of Glass, Corning, New York, p. 128.
The Glass Art Society Journal, 2016 Corning NY issue, published by Glass Art Society, Seattle, Washington, p. 132.
The Chazan Collection at the RISD Museum, by Joseph A. Chazan, Deborah Johnson, Jan Howard, and Judith Tannenbaum, published by Museum of Art Rhode Island School of Design, Providence, Rhode Island, pp. 76-77.
Glass, Arte del vetro oggi, by Jean Blanchaert, published by Skira Editore S.p.A., Milano, Italy, pp. 149-151.
L’Objet D’Art, October 2016 issue, Un Nouveau Musée por le Verre Contemporain, by Faton Publishing, Paris, France, p. 42.
Glass for the New Millennium: Master works from the Kaplan-Ostergaard Collection, published by the Crocker Art Museum, Sacramento, California, pp. 108.
Indian River, For the Love of Art issue, VBMA Celebrates 30 Years of Community Involvement, Growth, by Catherine Enns Grigas, published by Gregory Enns, Indian River County, FL, p. 66.
American Craft Magazine, June/July 2016 issue, Glass from the Past, by Liz Logan, pp. 33.
Panorama, March 28 – April 10, 2016, published by New Venture Media Group LLC. Editorial, Boston, MA, pp. cover, 3.
Vero Beach Magazine volume XIX no. 6 June 2016, Florida, pp. 173.
Glass: The Glass Art Quarterly #140, Fall 2015, Brooklyn, New York, “Face First” by Paul J. Smith, pp. 3-4, 6, 18.
Contemporary Glass Vessels, Selections from the Corning Museum of Glass, by Tina Oldknow, published by Corning Museum of Glass, Corning, New York, p. 27
American Art Collector, March 2015 issue, Fused and Formed , by John O’Hern, pp. 146-147 (QRC scan link to video of the artist p.146 )
Zart & Rau, Neues Glas aus der Sammlung Peter und Traudl Engelhorn des mudac Lausanne, by Eva-Maria Günther, published by Reiss-Engelhorn-Museen, Berlin, Germany, pp. 86-87.
The Creative Process, 43rd Annual International Glass Invitational Award Exhibition 2015, published by Habatat Galleries, Royal Oak, Michigan, pp. 214-215, 222.
Crafting a Collection, Fuller Craft Museum, Brockton, Massachusetts, p. 22.
Masters of Craft, 224 Artists in Fiber, Clay, Glass, Metal, and Wood, portraits by Paul J. Smith, published by Schiffer publishing Ltd., Atglen, PA, p. 151.
http://altdaily.com/now-creating-in-the-neon-celebrated-glass-artist-toots-zynsky/Now Creating in the NEON: Celebrated Glass Artist Toots Zynsky. Gayle Forman. (video interviews included in article
https://contempglass.org/artists/entry/toots-zynsky, Artist of the Month June 2015, Art Alliance for Contemporary Glass.
http://www.wormser-zeitung.de/lokales/nachrichten-rhein-neckar/freizeit-tipp-glaskunst-im-mannheimer-reiss-engelhorn-museum_16430708.htm Freizeit-Tipp: Glaskunst im Mannheimer Reiss-Engelhorn-Museum, February 02, 2015, Von Harald Berlinghof.
Chrysler the Magazine of the Chrysler Museum of Art, Grand Reopening Commemorative Edition, published by Chrysler Museum of Art, Norfolk, Virginia, p. 29.
Collecting Contemporary Glass, Art and Design after 1990 from the Corning Museum of Glass, by Tina Oldknow, published by Corning Museum of Glass, Corning, New York, p. 238.
Dayton Celebrates Glass: Chihuly and Beyond, 2014, The Dayton Art Institute M, Member Magazine, summer 2014, p. 7. In conjunction with an exhibition.
Modern Magazine, Spring 2014, Curator’s Eye by Victoria Cooke, Curator Columbia Museum of Art, Columbia South Carolina, Cover photo and article p. 100.
Making Design, published by Cooper Hewitt, Smithsonian Design Museum, New York, New York, 2014, p.324.
Art and Antiques, April 2014 issue, Cristallizing an Idea, by John Dorfman, pp. 75-83
Western Art and Architecture,June/July 2014, Things We Love, p. 44.
Art and Healing at Mayo Clinic, published by the Mayo Foundation for Medical Education and Research, Rochester, MN. published in association with the Mayo Sesquicentennial, Highlights of the Mayo Clinic Art Collection, Cover image, and pp. 5 -6.
Modern Luxury, October 4, 2013, North Side Chicago, Illinois. Glass Act” by Brian Duckerschein.
The Glass Art Society 2012 Journal, published on the occasion of the 42nd Annual Conference, Toledo Ohio, Women Who Helped Pave the Way, by Toots Zynsky, p.52, photo p. 156.
New Glass Review 34, Corning Museum of Glass, 2013, Corning, New York, p.126. Zynsky “Centisimo” 2012.
Studio Glass in Focus: Dialogue and Innovation, The Cleveland Museum of Art, Cleveland, Ohio, published on the occasion of the exhibition of same name, p.6
Creating the New Northwest: Selections from the Herb and Lucy Pruzan Collection, published by the Tacoma Art Museum, in conjunction with the exhibition, p.28, plate 90.
Contemporary Glass Sculpture, Celebrating the 50th Anniversary of Studio Glass, published by Orlando Museum of Art, Orlando, Florida, p. 55.
Glass 2, The James Della Collection, by James Della, p. 349.
Color Ignited: Glass 1962-2012, published by the Toledo Museum of Art with the assistance of the Andrew w. Mellon Foundation, in conjunction with the exhibition Color Ignited:Glass 1962-2012 at the Toledo Museum of Art, Frontispiece,67,96,108,109,plates 57,55,38,67,56
XX - XXI Siecles Verres, Collection du Musee des Arts Decoratifs, published the Musee des Arts Decoratifs, by Jean-Luc Olivier, p.178,179.
Studio Glass in America: A 50 year Journey by Ferdinand Hampson, published by Shiffer Publishing, Ltd., cover inset, pp 250-255.
Bouquets to Art at the de Young Museum, by Pamela J, p.154-155
American Craft Magazine, February/March 2013, Interview with Toots Zynsky by Jessica Shaykett, p. 120-121.
Glassified,by Niels Houkjaer, published by the Glasmuseet Ebeltoft, pp.106-107.
THE Magazine, August 2011, Santa Fe, New Mexico published by Guy and Judith Cross, p. 38
Toots Zynsky, 2011, David Richard Contemporary, Santa Fe, New Mexico.“Toots Zynsky: A Passion for Red” by Davira S. Taragin. Published on the occasion of the exhibition.
Makers: A History of American Studio Craft by Janet Koplos and Bruce Metcalf, published by the Center for Craft, Creativity and Design, Hendersonville, North Carolina, 2010, pp. 362, 417.
Studio Glass: Anna and Joe Mendel Collection, published by the Montreal Museum of Fine Arts in conjunction with the exhibition Studio Glass: Anna and Joe Mendel Collection presented at the Montreal Museum of Fine Arts, Liliane and David M. Stewart Pavilion, pp. 5, 57, 145.
Rhode Island Monthly, Art of the Deal, by J.A., Aug 2010, Rhode Island
Voices of Contemporary Glass : The Heineman Collection, published by the Corning Museum of Glass in association with Hudson Hills Press, Manchester and New York, on the occasion of concurrent exhibitions Voices of Contemporary Glass: The Heineman Collection, Front and back cover and pp.11, 31, 47, 344-347, 379.
The Magazine Antiques, Vol. CLXXVL. No.3: September 2009, “Shelburne Influences Toots Zynsky by Eleanor Gustafson, p.71-2.
American Craft, Vol. 69. No.05: Oct/Nov. 2009, College of Fellows; Fellow Toots Zynsky p. 63.
New Glass Review 30 published by the the Corning Museum of Glass p. 126.
Pioneers of Contemporary Glass: Highlights from the Barbara and Dennis Dubois Collection, by Cindi Strauss, Rebecca Elliot, and Susie J. Silbert, published by the Museum of Fine Arts, Houston Texas, 2009, p. 76-77, 88.
Rococo : The Continuing Curve, 1730-2008 published by the Cooper Hewitt Museum, National Design Museum, Smithsonian Institution, New York on the occasion of the exhibition Rococo: The Continuing Curve 1730-2008 at Cooper-Hewitt, National Design Museum, Smithsonian Institution March 7- July 6,2008, p. 22.
Chihuly AT RISD published by the Museum of Art, Rhode Island School of Design, Providence, RI ,2008, on the occasion of concurrent exhibitions Chihuly at RISD and Studio Glass in Rhode Island: The Chihuly Years.
Glass: The Urban Glass Art Quarterly, Number 110: Spring 2008 Reviews: Toots Zynsky Shadows at Barry Friedman, by Robert Morgan p. 64.
The Inquirer and Mirror, Female Glass Sculptors Take Center Stage at Dane, by Kate Dellas, July 2008, p. 2C
Selected Works published by the Museum of Art, Rhode Island School of Design, Providence, RI, 2008, p. 301, 319.
Why glass? published on the occasion of concurrent exhibitions Why glass? Caterina Tognon Arte Conemporanea, Venice, Italy and Claudia Gian Ferrari Arte Contemporanea, Milano, Italy pp. 78-79.
The 36th Annual International Glass Invitational, Habatat Galleries, Royal Oak, Michigan, USA, 2008.
The Inquirer and The Mirror, Nantucket Massachusetts. “Female Glass Sculptors take Center Stage at Dane”, July 2008.
Venini Glass: Catalogue 1921-2007 Vol II by Franco Deboni, published by Umberto Allemandi and Co., Turin, Italy, 2007.
Where, New York November 2007 issue, published by Morris Visitor Publications, New York, New York, p. 54.
All For Art! In Conversation with Collectors, published by The Montreal Museum of Fine Arts, Montreal, Canada, 2007 p.215.
Viva Vetro! Glass Alive! Venice and America, by Sarah Nichols, Susanne K. Frantz and Matthew Kangas, published by the Carnegie Museum of Art, Pittsburgh, Pennsylvania, 2007, pp. 108, 146, 192.
“Pittsburgh Post Gazette”, Carnegie goes Venetian; Glass Center has first international exhibition, by Mary Thomas, May 6, 2007, pp. F1, F4.
The 35th Annual International Glass Invitational: Habatat Galleries, Michigan, USA, 2007.
Contemporary Glass 2007: The 24th Annual International Glass Invitational, HABATAT Galleries, Florida, USA, 2007, pp. 16 &17.
Hot Glass, published by Dane Gallery and Corning Museum of Glass 2017, Nantucket
The Magazine of the Montreal Museum of Fine Arts, September – December 2017, p. 20-21.
http://www.cmog.org/audio/meet-artist-toots-zynsky, Corning Museum of Glass/Podcasts/Meet the Artist: Episode 1: Toots Zynsky- April 17, 2007.
Glass: Material Matters published by the Los Angeles County Museum of Art, Los Angeles, CA in conjunction with the exhibition Glass: Material Matters, pp. 38, 44-45.
Crafting a Collection: Contemporary Craft in the Museum of Fine Arts, Houston, Published by the Museum of Fine Arts Houston, Houston, Texas on the occasion of the exhibition Crafting a Collection , 2006 , pp. 1, 37, & 63.
L’Art du verre contemporain Contemporary Glass Art Zeitgenössische Glaskunst, Co-published by the Musée de Design at d’Arts Aplliqués Contemporains (mudac) and le Bibliothèque des Arts, Lausanne, Switzerland , 2006 , pp. 208,237 & 268.
The Art of Glass: Toledo Museum of Art, Ohio, 2006, Zynsky “Bowl (Tierra del Fuego series)” by Martha Lynn Drexler, pp. 203-204.
“The Providence Journal”, “Glass ‘06” is clearly worth seeing, by Bill Van Siclen, November 9, 2006 p. E9.
The 34th Annual International Glass Invitational: The Awards Exhibition, HABATAT Galleries, Michigan, USA, 2006, pp. 100-101.
“The Providence Journal”, An Evening to Honor Artists and their Patron, May 23, 2006 pp.A-1 & A-6.
“The Providence Journal”, Trinity Rep’s Pell Award, May 21, 2006 p. I-4
“The Seattle Times, An Overview of glass art from near and far, by Mathew Kangas, May 12, 2006.
Art & Antiques, December, 2005, Fires of Inspiration: Toots Zynsky explores the strong-fragile paradox that is glass, By Brook S. Mason pp.50-54.
Steninge World Exhibition of Art Glass 2005, published by Steninge Slott Kulturecenter, Marsta, Sweden , pp 46-47.
Contemporary Glass 2006: The 23rd Annual International Glass Invitational, HABATAT Galleries, Florida, USA, 2005, pp. 61 & 109.
Transformations, The Language of Craft, published by the National Gallery of Australia (in conjunction with the exhibition “Transformations” National Gallery of Australia, Canberra, Australia), pp. 90,132.
Art on View, “Transformations: The Language of Craft”, by Robert Bell, published by the National Gallery of Australia, p. 10.
Sculpture, Glass and American Museums, by Martha Drexler Lynn, published by University of Pennsylvania Press, Philadelphia, 2005, pp. 143, 147, 157, 193, 199, 211.
Neus Glas und Studioglas (new Glass and Studio Glass), by Clementine Schack von Wittenau , published byKunstammlungen der Veste Coburg and Verlag Schnell & Steiner, Germany, 2005, pp. 145, 164-5.
Toyoma City Collection: Contemporary Glass-Light Transfigured, published by Musée Tomo and the Kikuchi Foundation, Tokyo, Japan, 2005, p.42 & 81.
“The Canberra Times”(Australia), Magica l tour of craft, by Jennifer Kingma ,Nov.4, 2005, pp. 4-5.
“Textile Fibre Forum” Transformation: The Language of Craft, by Julie Ryder, No.81, 2006 , p. 44.
New Glass Review 26, The Corning Museum of Glass, New York, p.126.
Chazan’s Choice; Gifts of Contemporary Art to The RISD Museum, by Judith Tannenbaum and Thomas S.Michie, published by Museum of Art, Rhode Island School of Design, in conjunction with the exhibition “Chazan’s Choice” Providence, RI, USA, pp.10,15, 59.
Vetri. Nel mondo. Oggi, edited by Rosa Barovier Mentasti, published by Istituto Veneto di Scienze Lettere ed Arti, 2004, pp. 166-7, 197.
Contemporary International Glass, by Jennifer Hawkins Opie, published by V & A Publications, 2004, pp. 138-9.
American Studio Glass 1960-1990, by Martha Drexler Lynn, published by Hudson Hills Press, 2004, pp. 65, 95,152n9, 156, 161.
“Glass: The Urban Glass Art Quarterly”, Exhibitions Summer 2004: Recent Acquisitions in Glass;, The RISD Museum of Art, p. 24, and Urban Glass News p. 56, Number 95: Summer 2004.
“The Gather”, Toots Zynsky and Allan Scharff: Inspired by the Colors and Shapes of their Experience, published by The Corning Museum of Glass, Fall 2004, p. 10.
The Design Encyclopedia, by Mel Byars, co-published by Laurence King Publishing, London and the Museum of Modern Art, New York p. 831.
“Nantucket Magazine”, The Art of Glass, by Rose Gannella , Spring 2004, pp. 26-32 & 38.
“MADO”, Contemporary Glass Artists- The World Trip: Toots Zynsky, by Atsushi Takeda, published by Seikatsu No Tomosha, June 2004, pp. 86-9.
“Art and Antiques”, Glass Acts, by Nancy A. Ruhling, pp.46-7, May 2004.
The 32nd Annual International Glass Invitational: The Awards Exhibition, HABATAT Galleries, Michigan, USA, 2004, pp 101 & 112.
Contemporary Glass 2004: The 21st Annual International Glass Invitational, HABATAT Galleries, Florida, USA, 2004, pp. 12-13.
Design from Scandinavia, No. 21, January 2004, Cover& back cover, pp. 1 & 158.
Through American Eyes: Two Centuries of American Art from the Huntington Museum of Art, published in conjunction with the traveling exhibition “Through American Eyes”, April 2003-June 2005, pp. 184-5.
“Fiber Arts Magazine”, Following the Threads: Where Glass and Fiber Intersect, by Jane LaFerla, Volume 29 No. 5, Summer, 2003.
Crafts Now – 21 Artists Each from America, Europe, and Asia, published by the Executive Committee of the World Craft Forum Kanazawa, Kanazawa, Japan, 2003, p. 18.
Decorative Arts in the International Collections of the National Gallery of Victoria, published by The Trustees of the National Gallery of Victoria, Melbourne, Australia, 2003, pp. 124-5.
Hot for Glass: Contemporary Glass from the Los Angeles Collections, published in conjunction with the exhibition “Hot for Glass”, April 5th-May 22, 2003 California State University, Fullerton, California, USA, p. 49.
International Glass Art, by Richard Wilfred Yelle, published by Schiffer, Atgen, PA, USA, 2003, pp. 16, 20, 22-3, 362-3.
Murano: Glass from the Olnick Spanu Collection, 2003, published in conjunction with the 2003-2006 North American Tour of the exhibit “Murano: Glass from the Olnick Spanu Collection” , pp.11,13,20,29,37,230-1 and 305.
Glass from the Lagoon: Murano: Glass from the Olnick Spanu Collection, 2003 DVD produced in conjunction with the 2003-2006 North American Tour of the exhibit “Murano: Glass from the Olnick Spanu Collection”.
Women Working in Glass, by Lucartha Kohler, published by Schiffer, Atgen, PA, USA, pp. 58-62, 64.
American Studio Glass: A Survey of the Movement, 2003 (published in conjunction with the traveling exhibition of the same name), by The William S. Fairfield Art Museum, Sturgeon Bay, WI, USA. Introduction by David J. Wagner, Guest Curator and Tour Director, pp. 32 & 34.
Just Imagine: A Children’s Guide to the Art Gallery of Western Australia, 2003, Art Gallery of Western Australia, pp. 14-15 and 48.
Fire and Form. The Art of Contemporary Glass, by William Warmus, 2003, ( published on the occasion of the exhibition “Fire and Form” at the Norton Museum of Art, West Palm Beach, Florida), pp. 64-67.
“New Times Broward Palm Beach” March 6-12, 2003, Glass Touched by Genius by Michael Mills, p. 27.
Madame, July, 2003, “Kultsucke aus Glas”, p. 76.
From Fire: The 31st Annual International Glass Invitational:, HABATAT Galleries, Michigan, USA, 2003, pp 64 & 104.
Savoir Vivre-Journal fur Geniesser, May, 2003, “Magie und Wirklichkeit aus feinstein Glasfaden”, p. 58.
Verre, April, 2003 vol. 9 no.2, “Musique de Verre”, p. 67.
“Art and Antiques”, A Real Glass Act, by Brook Mason, January 2003, pp. 34-37.
Glass, Urban Glass @ 25, An Anniversary Exhibition, by Marilyn Holtz Patti and Dale Anderson, p.60, Winter 2002, Number 89.
Contemporary Directions: Glass from the Maxine and William Block Collection, published in conjunction with the exhibition at the Carnegie Museum of Art (May, 2002) and traveling to The Toledo Museum of Art (Fall 2003).
Crafting a Legacy: Contemporary American Crafts at the Philadelphia Museum of Art by Suzanne Ramljak, Philadelphia Museum of Art and Rutgers University Press, p. 120.
America’s Art Museums: A Traveler’s Guide to Great Collections Large and Small by Suzanne Loebl, 2002, p. 154.
A History of Glassforming by Keith Cummings, A & C Black (Publishers) Ltd, London England and University of Pennsylvania Press, Pennsylvania, USA, p. 60.
“Neues Glas/New Glass”, Spring 2002, Toots Zynsky…An Interview, by Uta Klotz, pp.10-17.
“The Ritz Carlton Magazine”, Summer 2002, What Makes it Great: The Best of the Best, by Bobbie Leigh, pp. 8 & 27.
“The Providence Journal” (LIVE Section), At Newport, the Future of Glass Looks Solid, by Bill Van Siclen, May 9-12, 2002, p. 12.
“The Pittsburgh Post-Gazette” Weekend Magazine, Glimmer of Glass. Block Collection Debuts at Carnegie, by Mary Thomas, April 5, 2002, Cover article and pp. 23, 34 & 36.
The 30th Annual International Glass Invitational:, HABATAT Galleries, Michigan, USA, 2002, pp. 3 & 64.
Glass Art 2002, by Georgina Fantoni, p. 7.
Artists in Glass: Late Twentieth Century Masters in Glass, by Dan Klein, published by Mitchell Beazley/Octopus Publishing Group, London, England, 2001, pp. 12, 36, 226-229
Toots Zynsky, catalogue published on the occasion of the traveling solo exhibition, “Toots Zynsky”, Glasmuseet Ebeltoft, Ebeltoft, Denmark, Museo Carrer, Venice, Italy.
Centennial Arts and Crafts Exhibition Providence:Celebrating Contemporary Crafts 2001, Published on the occasion of the exhibition of the “Centennial Arts and Crafts Exhibition”, Providence, Rhode Island, 2001.
Contemporary Glass Exhibition (Invited by the Ministry of Culture of the People’s Republic of China), published on the occasion of the exhibition “Contemporary Glass Worldwide”, Beijing, China, 2001.
Contemporary Glass: Color, light and form, by Ray Lier, Jan Peters, and Kevin Wallace, 2001, Guild Publishing, p. 54.
Flet Braid, publication that accompanied the Nordyllands Kunstmuseum and Tonder Museum exhibition Flet Braid, 2001, Denmark Sweden, pp. 116-119.
“The Columbus Dispatch”, Columbus, Ohio, USA, Glass Glows with Colorful Threads, by Jacqueline Hall, March 18, 2001, Section C, p. 10.
The 29th Annual International Glass Invitational: The Creative Process, Habatat Galleries, Michigan, USA, 2001, pp.158-9.
“V & A Magazine”, The Victoria and Albert Museum, London, England, Jan- April, 2001 Zynsky Joins the Glass Collection, p. 8.
“The Plain Dealer”, Cleveland, Ohio, USA, Glass Artist’s Work Speaks for Itself, by Dan Tranberg, April 24, 2001 Section E, pp. 1 & 10.
Art Palm Beach, Hard cover publication that accompanied the Art Palm Beach Modern and Contemporary Art Fair, January, 2001, p. 126.
Contemporary Glass 2001: The 18th Annual International Glass Invitational, Habatat Galleries, Florida, USA, 2001, pp. 10-11.
Vetro IV: 11, April-June 2001, “Capelli di vetro - Toots Zynsky” by Paola Tognon, pp. 18-22.
Modern Contemporary Art at MoMA Since 1980, published in conjunction with the exhibition Open Ends, MoMA 2000, The Museum of Modern Art, New York, N.Y., USA, 2000,p.95 Plate #99.
Taking Form in Glass: Contemporary Works from the Palley Collection, published on the occasion of the exhibition: “Splendor in the Glass: Contemporary Glass from the Palley Collection”, The Lowe Art Museum, University of Miami, Florida, USA, 2000, pp. 30 & 60.
IL VETRO DI MURANO, by Gianfranco Toso, Arsenale Editrice, 2000, pp.188-89.
Expressions en Verre, III: Collection du Musee des Arts Decoratifs de la Ville De Lausanne Aquisitions 1989-2000, 2000, p. 55.
Defining Craft 1, Collecting for the New Millenium, American Craft Museum, New York, N.Y., USA, 2000, p. 83.
“Art and Antiques”, (Special Design Issue), September, 2000, Art Gallery for Glass, by Bobbie Leigh, pp. 80, 83 & 85.
Contemporary Glass 2000: The 17th Annual International Glass Invitational, HABATAT Galleries, Florida, USA, 2000, p. 8.
Venini: Catalogue Raisonne 1921-1986, 2000 by Anna Venini Diaz de Santillana, pp. 190, 232, 308.
Glass, #79, Summer 2000, p. 51.
“Craft Views”. The American Craft Museum, Fall 2000, p. 4.
The Italian Influence: Contemporary Glass, catalogue published on the occasion of the exhibition at Wood Street Galleries/Concept Art Gallery,Pittsburgh, PA., USA, Cover and p. 15.
Venetian Glass: The Nancy Olnick and Giorgio Spanu Collection, 2000, published on the occasion of the exhibition “Venetian Glass: 20th Century Italian Glass -The Nancy Olnick and Giorgio Spanu Collection”, The American Craft Museum, New York, N.Y. USA, Fall 2000, pp. 19, 28, 186, 187-9, 243.
Glass: Artist, Influence, & Evolution: A Millenium Exhibition of American Masters in Glass, 2000, Traveling exhibition: Kreft Center Gallery, Concordia College, Ann Arbor, Michigan, Midland Art Center, Midland, Michigan. ( Courtesy HABATAT Galleries, Michigan) p. 8.
GLASS ART From UrbanGlass, 2000 by Richard Wilfred Yelle, Contemporary glass from UrbanGlass, title page photo, and pp. 313-315
VESSELS,The International Exhibition of Glass, The third anniversary of Koganezaki Crystal Park, 2000, The Koganezaki Glass Museum, Japan, p.41.
Craft Weekend 2000, James Renwick Alliance pp. 23, 35, & 40.
The 28th Annual International Glass Invitational, HABATAT Galleries, Michigan, USA, 2000, pp. 94 - 95.
“Verre & Creation”, Contemporary Glass Newsletter No. 18, March 2000, Cover and p. 5.
“Views”, Rhode Island School of Design, Providence, R.I. USA, Winter, 2000, Finding Fusion, by Tracy Hall and Liisa Silander, pp. 6-7.
“Sun-Sentinel”, South Florida, USA, Glass With Class, by Deborah K. Dietsch, January 9, 2000, p. 3D.
The Art of Craft: Contemporary Works from the Saxe Collection, 1999 by Timothy Anglin Burgard, Fine Arts Museum of San Francisco, pp. 65, 270.
Clearly Inspired: Contemporary Glass and Its Origins, by Karen S. Chambers and Tina Oldknow, Tampa Museum of Art, 1999, pp. 96-98.
Expression of Contemporary Glass, by Atsushi Takeda Yokohama Museum of Art, 1999, pp.5, 123.
handmade:shifting paradigms, 1999 by Tay Swee Lin, Singapore Art Museum, National Heritage Board, pp. 64-65.
“The Providence Sunday Journal” Providence, R.I. USA, July 25, 1999, Fire and Light and Ice, by Jill Herbers, section K, p. 1.
Global Art Glass Triennial, Borgholms Slott, Sweden, June 19-August 29, 1999.
Glass, #75, Summer 1999, Back cover photo.
“The News Tribune”, Refractions on a Theme: Glass artistry relies on both new techniques and the ancient magic of light, by Jill Herbers, April 3, 1999, cover and pp. 3-4.
The 27th Annual International Glass Invitational, Habatat Galleries, Pontiac, Michigan, 1999, pp. 94-95.
“The Star Tribune”. Wayzata, Minnesotta, USA, Art Glass Plays Nicely with Light, Home Interiors, by Jill Herbers, April 29, 1999, p. 16.
“House & Garden”, Special Issue: “Decorating and Art”, Arrested Flames, by Arthur C. Danto, House & Garden, New York, NY, Vol. 168, No.3, March 1999, pp. 74-76.
“The Brown Daily Herald”, Brown University, Providence, R.I. USA, February 26, 1999, Muted Tones and Twisted Glass, by Sheffie Gerrity, pp. 4 & 7.
“The Providence Journal Bulletin” Providence, R.I. USA February 26, 1999, Zynsky and DeCredico Mix Their Media, by Bill Van Siclen, section E, p. 1.
“American Craft,” Focus: Toots Zynsky at Barry Friedman Ltd. by Eleanor Hartley; American Craft, New York, NY, Vol. 59, No. 1, Feb/Mar; p. 112.
Toots Zynsky and Nakao Yuko - catalogue, Koganezaki Glass Museum, January 1999, cover, pp.1-2, and pp. 4-24.
International New Glass 1998 - Venezia Aperto Vetro, Edited by Attilia Dorigato, Dan Klein, and Rosa Barovier Mentasti, p. 149.
A Passion for Glass: The Aviva and Jack A. Robinson Studio Glass Collection, by Bonita Fike,The Detroit Institutes of Art, p. 75.
“Glass; The Urban Glass Art Quarterly,” Toots Zynsky by Annette Rose Shapiro. No. 73, Winter 1998. UrbanGlass, New York, NY, p. 48.
“VETRO,” Stanislav Libensky e Jaroslava Brychtova by Toots Zynsky. No. 1, June 1998. pp. 56-57.
“New York Times,” New York, NY, USA, Sunday, September 27; Arts & Leisure Section; Fantasies in Glass, Rita Reif, p. 41.
American Glass: Masters of the Art, by Lloyd E. Herman. Published on the occassion of the exhibition “American Glass: Masters of the Art”, The Smithsonian Institution, 1998, cover and pp. 59-62.
The 15th International Glass Invitational, HABATAT Galleries, Boca Raton, Florida, USA, p. 14.
The 26th Annual International Glass Invitational, HABATAT Galleries, Michigan, USA, pp. 8 and 21.
Sculpture Objects, Functional Art, SOFA, NYC, 1998 A Project of Expressions Of Culture-NY, Inc., pp.31 & 63.
Glass: An Artist’s Medium, by Lucartha Kohler, Krause Publications, 1998, p.77.
Masters of Contemporary Glass: Selections from the Glick Collection, by Martha Drexler Lynn and contributions by Barry Shifman; Indianapolis Museum of Art, USA, pp. 23, 142-3.
“American Way,” September 1; Radical Glass , pp. 66-72.
Koganezaki Glass Museum: Contemporary Glass Collection, 1997, pp.80-81.
“Kunstwerk”, Nov/Dec. 1997, Een glashelder inzicht, p. 35.
“Southwest Art”, Heating it Up, by Margery Aronson, November, 1997, pp. 64-65.
“American Craft”, oct,/nov. 1997, vol.57 no.5, Denville, NJ, USA, p. 66.
Arts Decoratif du XXe Siecle: Verre Contemporain, Decembre,1997, Francis BRIEST, (Commissaire Apriseur), p. 23.
Preview Museum of Fine Arts, Boston, Sept.-Oct.
“Views”, Glass Today at MFA, curator’s views, RISD, Fall 1997, p. 42.
“Palm Springs Life”, Oct. 1997, inside front cover.
“Times”, Florida, USA, Worthy of the Whitehouse and Your House, by Mary Ann Marger, Oct. 3, 1997, pp. 30-31.
25 Years: The Twentyfifth Annual International Glass Invitational, HABATAT Galleries, Michigan, USA, 1997, p. 26.
“Art & Auction”, Summer Issue, 1997, p. 49.
“American Craft”, June/July, 1997, p. 6.
“Art Leader,” Toots Zynsky l’artefice della scultura in vetro , maggio/giugno 1997, no 33, Osimo, Italy, pp. 40-42.
Portrait de Meister Bayerischer Staatspreis 1952-1997, Preistrager des gestaltenden und technischen Handwerks Sonder schau der 50 Internationalen Handwerksmesse Munchen, Marz, 1998.
¡CÀLIDO! Contemporary warm glass, 1997, by Joanne Stuhr (ed.), Tuscon Museum of Art, Arizona, USA, p. 96.
GLASS TODAY by American Studio Artists, 1997, by Jonathan L. Fairbanks and Pat Warner, Museum of Fine Arts, Boston, USA, pp. 68-9.
GL’ART ‘97, Hsinchu International Art Festival, p. 116.
GLASS TODAY: American Studio Glass From Cleveland Collections, 1997, by Henry H. Hawley, The Cleveland Museum of Art, USA, pp. 97-98.
Studio Glass: In the Metropolitan Museum of Art, 1996, by John P. O’Neill & Barbara Burn (eds.), The Metropolitan Museum of Art: New York,USA, pp.30 & 32.
20th Century Murano Glass, by Marc Heiremans, Arnoldsche, 1996, p. 221.
International New Glass: Venezia Aperto Vetro, September 1996, Arsenale Editrice: Venezia, by Attilia Dorigato & Dan Klein (eds.), pp. 223 & 179.
Pilchuck: A Glass School, by Tina Oldknow, 1996, Pilchuck Glass School in association with the University of Washington Press, Seattle, Washington, USA, pp. 43,51,55,66-68,70,74,110,112,116,118-19,124,131,192,198-99,206,216-17.
Italian Glass:Murano-Milan, 1930-1970, The collection of the Steinberg Foundation, by Helmut Ricke and Eva Schmitt, 1996, p. 316.
l’Arca no. 107, September 1996, “Arteinvetro” by Caterina Tognon p. 84-87.
Gli Artisti Di Venini: Per una storia del vetro d’arte veneziano, 1996, Electa: Isola di San Giorgio Maggiore, Venezia, pp. 36-39, 170, 222.
Glass Art: The Belkin Collection 3, Huntington Museum of Art, 1996, p,44.
The 24th Annual International Glass Invitational, HABATAT Galleries, Michigan, USA, 1996.
“The Detroit News”, Detroit, MI, USA, Glass Artist Threads her Way to Pontiac for a Showing of her Unique Works, June 13, 1996, p. 2F.
Detroit Free Press, Downtown Pontiac Galleries Feature Glass Bristles and Metal Quilts, by David Lyman, June 14, 1996, Detroit, Michigan, p. D5
Glass Magazine, Spring 1996, No. 62, p. 51.
“Il Gazzettino”, Venice, Italy, Quei Magici Vetri di Toots Zynsky, April 20, 1996, p. vi.
“Maison Francaise” February 1996, La Couleur, C’est Leur Passion p. 76.
Beyond Tradition: The 23rd Annual International Glass Invitational, April 1-April 30, 1995. Habatat Galleries.
The Corning Museum of Glass Annual Report 1995, p. 31.
International Survey of Contemporary Art Glass, The Pittsburgh Cultural Trust and Concept Art Gallery, Pittsburgh, PA, 1995, p. 20.
Couleurs & Transparance: Chefs-d’œuvre du verre contemporain, 6 Octobre - 31 Décembre 1995, Éditions de la Réunion des musées nationaux: Paris, pp. 38-39, 109, 127.
“Art in America”, October 1995, Brant Art Publications Incorporated: New York, NY, p. 69.
Glas en Keramiek, sept/okt 1995, nr.3/4, 8 jrg., Artforum: Nijmegen.
“A Museum In the Making: The Gerald L. Cafesjian Collection”, p. 2.
Neues Glas, 4/95, Germany Language Publications: Englewood NJ, Couleurs et Transparence by Antoinette Faij-Hallé, pp. 11-20.
The 23rd Annual International Glass Invitational, HABATAT Galleries, p.67.
“Il Giorno”, 8 giugno 1995, p. 29.
“ARTnews”, May 1995, New York NY, USA, p. 100.
Une ville et sa mémoire à découvrir et à partager dans un Guide Gallimard: Paris, FRANCE, Éditions Nouveaux-Loisirs, Mai 1995, pp. 133 & 538.
Contemporary Glass Exhibition ‘95, Newworkshop, Taipei, pp.180-181.
Visionaries of the American Craft Movement, American Craft Museum Honors, 1994, p. 36.
“Corriere Del Ticino”, Vademecum, 19 maggio 1995.
“Artigianato”, Toots Zynsky, anno quinto, numero 17, aprile/giugno 1995, p.58-59, pp. 88 & 94.
The ‘95 HSINCHU International Festival for Glass Arts, National Festival of Culture and Arts, February 1995, Hsinchu City, pp. 55, 87.
“Art Matters”, June 1995, pp.7, by Linda Dormont.
NewGlass Review 16, The Corning Museum of Glass, New York, pp. 29, 34, 64.
House Beautiful, Volume 137, Number 5, May, by Marian Burros, pp. 92-95.
“Il Sole-24 Ore”, 21 Maggio 1995, N. 133, p. 32.
TOOTS ZYNSKY, maggio 1995, D’Arte & Divetro: Bergamo.
“Schöner Wohen Schweiz”, 4/ 95, pp. 1-4.
The White House Collection of American Crafts, Harry N. Abrams Inc.: New York, pp. 50-51, 105, 125.
De Florijn (Personel magazine of Nederlandsche Bank), Amsterdam, The Netherlands, March, pp. 12, by Henk Jager.
Neues Glas, 2, p. 67, 74, 97.
Ceramic Antica, Ferrara, Italy, Numero 2 (46), Anno V, Febbraio, by Caterina Tognon, pp.51-53.
Glass Now 17th - World Studio Glass Exhibition, January 1995, Takako Sano, American Arts and Crafts, San Rafeal CA, USA, pp. 26, 59.
La revue de la Céramique et du Verre, Vendin-le Vieil, France, January/February, Cover photo, interview by Jean-Claude Bester, pp. 32-39.
Paris, by Guides Gallimard, published by Éditions Nouveaux-Loisirs, Paris, France, p. 133.
“International Herald Tribune”, Paris, France, Saturday-Sunday, December 3-4, 1994 Breaking Point: Free-Form Adventures With Glass, by Mary Blume, p. 22.
International Survey of Contemporary Art Glass, Quigley, L.(ed.), Hoechstetter Printing Company: Pittsburgh, November 1994, p. 20.
“De Standaard, DS Magazine”, Brussels, Belgium, 2de jaargang, no. 37, October 7, pp. 22-23.
Glass Now 16th, World Studio Glass Exhibition, Takako Sano, American Art & Craft, Inc. USA/Japan, p. 43.
In Touch/Nytt Kunsthåndverk, Norway 1994, Cultural Programme of the XVII Olympic Winter Games at Lillehammer in 1994, pp. 126-127.
The 22nd Annual International Glass Invitational, Habatat Galleries, Michigan, USA, p. 35.
“American Craft”, Crafts at the Whitehouse, June/July ,1994, Art Access, Seattle, WA,USA, June, 1994, Cover photo, p. 53.
U.S. Artists ‘94, catalogue to accompany Pennsylvania Academy of Fine Arts benefit, 1994, p. 42.
“Art Guide Northwest”, April 1994- October 1994, p. 41.
Modernism & Beyond: Women Artists of the Pacific Northwest, Brunsman, L. & Askey (eds.), Midmarch Arts Press: New York, 1993, p.48.
L’Art du Verre Contemporain, by Catherine Vouder, Armand Colin Editeur, Paris, France, 1993, p.19.
Contemporary Crafts and The Saxe Collection, The Toledo Museum of Art, organized by Davira S. Taragin, Hudson Hills Press, New York, USA, pp 34, 210, 89.
Design Visions - Second Edition, The Art Gallery of Western Australia, Perth, Australia, Cover, Exotic Pair 1992, p. 73.
Tiffany to Ben Tre: A Century of Glass, Milwaukee Art Museum, 1993.
“New York Times”, New York, NY, USA, Thursday, December 23, Home Section,The Crafts of America find Recognition at the Top, Making Art, Making a Living, Rita Reif, pp. C1 and C4.
Electro Rent Corporation, Annual Report, 1993, Cover.
Vetro Veneziano, 1890-1990, Rosa Barovier Mentasti, pub. Arsenale Editrice, Venice, Italy, p. 177.
Le Verre - catalogue, Conseil Régional de Haut Normandie, Rouen, France.
Glasmuseum, catalogue of glass artists in their collection, 1992, p.27.
Glass Now ‘92 - World Studio Glass Exhibition, Takako Sano, American & Craft, Inc., - USA/Japan, p.20.
Glass Band I 1945-1991, Museum Bellerive, Zurich, Switzerland, 1992, Cover and p.129.
Design Visions, The Art Gallery of Western Australia, Perth, Australia, pp. 32, 73.
All About Glass, Shinshusha Co., Ltd., Tokyo, Japan.
Contemporary Kilnformed Glass, Bullseye Glass Co., Oregon, USA, p. 78.
Clearly Art, Pilchuck’s Glass Legacy, Lloyd E. Herman, edited by the Whatcom Museum of History and Art, University of Washington Press, USA, p. 53.
Pilchuck Works, Pilchuck Glass School, Washington, USA, p.32.
The 21st Annual International Glass Invitational, Habatat Galleries, Michigan, USA, p. 14.
The Survey Of Glass In The World, Kyuryodo Art Publishing Co., Ltd., Tokyo, Japan, volume 6, p. 49.
“The Glass Art Society - 1992 Journal”, Washington, USA, A Cultural Odyssey, Toots Zynsky, p. 80-81.
“Report on Toots Zynsky”, Paris, France, December, by Diau Hall.
“EX, The magazine for Nordic Airport Passengers”, Sweden, March/April, The 12th Stockholm Art Fair, p. 51-53.
“Femina”, Lausanne, Switzerland, 15 May, Exposition, Ode à la Coupe, p.9.
“La tribune de Geneve”, Geneva, Switzerland, 18 April, Ode à la Coupe au Musée des Arts décoratifs de Lausanne.
“24 heures”, Lausanne, Switzerland, Wednesday, April 1, Magazine, De terre, de soie ou de papier, p.49.
“Contemporary Glass Sculpture: Innovative Form and Expression” 1 March- 18 April 1992, New Jersey Center For Visual Arts, New Jersey, p. 19.
“ProfessionELLE”, Erfolgreich in Glas”, March, 1992, p.65.
“Burda International”, Hamburg, Germany, January, p. 16.
Configura 1 - Kunst in Europa Erfurt ‘91, Galerie am Fischmarkt, Erfurt, Germany, p. 274.
Chefs d’oeuvres de la verrerie en France du XIXe siècle à nos jours – catalogue Musée des Arts Décoratifs, Prague, Czechoslovakia, plate #79.
Arts and Crafts in Europe ‘91 - catalogue, Stuttgart Exhibition.
International Crafts, Martina Margetts, Thames & Hudson, England, pp. 117, 118, 231.
“Glass”, USA, No. 46, Winter 91/92, Toots Zynsky, Snyderman Gallery, Lauren H. Otis, p.55.
Glass Now, ‘91, World Studio Glass Exhibition, Takan Sano, American Art & Craft, Inc., USA/Japan, p.11.
“Partance”, Paris, France, No. 5, September, Mariage En Couleur De L’Audace et de la Technique, photo pp. 120-121.
“The Blade”, Toledo, Ohio, Sunday, April 21, 1991, Entertainment, Glass: Pushing the Limits, by Sally Valongo, Section G, p.1.
“Kunsthandverk”, Norway, No. 43, April, Cover photo.
“Hamburger Abendblatt”, Hamburg, Germany, Glasklare Kapital-Anlage, March 23/24, 1991, p.39.
Masterpieces of American Glass, The Hermitage Museum, in association with The Corning Museum, Moscow, Russia, p. 108.
Glass Now ‘90, World Studio Glass Exhibition, Takan Sano, American Art & Craft, Inc., USA/Japan, p.25.
Masterpieces of Glass - A World History from The Corning Museum of Glass, Robert J. Charleston, Harry N. Abrams Inc., Publishers, New York, USA, pp. 228, 236.
Masterpieces of American Glass: The Corning Museum of Glass, The Toledo Museum of Art and Lillian Nassau Ltd by Jane Shadel Spillman and Susanne K. Frantz, Crown Publishers, New York, New York, 1990, pp. 78, 90, 97.
Prism of Fantasy - The Glass Collection of The Hokkaido Museum of Art, Kyuryudo Art Publishing Co., Ltd., Tokyo, Japan, pp. 172, 255, 263.
Toots Zynsky, - catalogue, Galerie Clara Scremini, Paris, France.
The Prescott Collection of Pilchuck Glass at Pacific First Centre, Seattle, WA, USA, 1990, plate #30.
“Beaux Arts”, France, No. 85, December, Echos du Mois.
“L’Express”, Paris, France, 13-19 December, Atelier, Bonne Adresse, Thierry Faradji, p.54.
“Le Monde”, Paris, France, Wednesday 12 December 1990, L’Instant juste, Laurence Benaim.
“L’Oeil, Revue d’Art”, Paris, France, December, Galeries, Paris, Toots Zynsky, p. 119.
“Jardin des Modes”, Paris, France, November, La Gazette, Clara Scremini : le verre pur et dur, p.14.
Contemporary American and European Glass, Creative Glass Center of America catalogue for benefit auction, Sotheby’s, N.Y. USA 3/17/90, p.20.
“Bijvoorbeeld”, The Netherlands, November/December 1989, January 1990, Schilderen met glas Toot (sic) Zynsky, pp. 44-45.
“Le Figaro Magazine”, Paris, France, Saturday 29 June, Spaghettis de Verre pour Toots Zynsky, Laurence de Calan, p. 86.
“Vogue Décoration, Edition internationale”, Paris, France, No. 7, L’Avventura, Christine Colin, photos by John Hall, photo p. 189, feature article on an apartment designed by Gaetano Pesce for Marc-André Hubin.
“L’Atelier”, Paris, France, No. 2/90, 15 April - 15 June, L’Oeil de Verre, Peter Knaup”, by Colette Save, pp. 42-44.
“Ambiente, die Kunst zu Leben”, Germany, No. 4, April, Uberall auf der welt zu hause, Zürich, p. 14.
Contemporary Glass: A World Survey from the Corning Museum of Glass by Susanne K. Frantz, Harry N. Abrams Inc, New York, New York, 1989.
Expressions en Verre, 140 Sculptures, Collection du Musée des Arts Décoratifs de la Ville de Lausanne, Acquisitions 87-89, edited by R. Lippuner, Musée des Arts Décoratifs, Lausanne, Switzerland, pp. 30, 87.
Venini, Franco Maria Ricci Publishing Co., Italy, pp. 67, 222.
Glass, A Contemporary Art, by Dan Klein, Collins, Inc., Publishers, USA, pp. 174, 175.
Toots Zynsky - Tierra del Fuego Series - catalogue, The Stedelijk Museum, Amsterdam, The Netherlands.
Glass Now ‘89, Takako Sano, Yamaha Corporation, Publishers, Tokyo, Japan.
“Compres Repro-Special”, The Netherlands, issue no. 25, December, cover photo and pp. 24-32.
“Metro Times”, Detroit, Michigan, March 22-28, Cover Story, All that Glitters Is Not Gold : It’s Glass.
“Glasswork Quarterly”, Tokyo, Japan, April, Toot Zinsky (sic), pp. 21-25.
“FIBREARTS”- United States, summer, volume 16, no. 1, Gallery - Toots Zynsky: A Weaver of Glass Fibers.
“Glass Art”, United States, July/August, Glass Art People, My Full Name is Mary Ann Toots Zynsky. But Toots just Suites (sic) Me Better I Guess, Shawn Waggoner, Cover and pp. 86-89.
“Art Aurea”, Ulm, Germany, No. 3/1989, March, Achtung zebrechlich!, Monica Trüjen, pp. 44-47.
CONNECTIONS The Borowsky Collection of Contemporary Glass, december 31,1989, p.7.
“The Philadelphia Inquirer”, Pennsylvania, United States, January 6,1989, Art, p. 34.
“Kunst & Antiquitäten”, Germany, November, photo, pp. 32-33.
“Eigen Huis & Interieur”, The Netherlands, December, p.36.
“Beelding”, The Netherlands, November, Vormen in glas, p.26.
“Dagblad Tubantia”, The Netherlands, 30 November, Vormen in glas panorama hedendaunst.
“Twentse Courant”, The Netherlands, 6 December, ‘Vormen in glas’ toont stand glaskunst.
“‘t Circuit”, The Netherlands, No. 11 January/February, Moderne Glaskunst in Gemeentmuseum Roermond, p.14
“Haagsche Courante”, The Netherlands, 18 October, De eeuwige discussie rond de glaskunst.
World Glass Now - catalogue, Hokkaido Museum of Modern Art, Sapporo, Japan.
Glass Now ‘88, Takako Sano, Yamaha Corporation, Publishers, Japan, p.31.
Palais de Chaillot, catalogue, 1er Festival des Arts 1900 2000, Palais de Chaillot, Paris, France.
“The Corning Museum of Glass Winter Newsletter 1988”, Corning, New York, The Rakow Commission: Zynsky’s Vessels Unveiled.
Utrechts Nieuwsblad”, The Netherlands, 29 December, ‘Vormen in glas’ llat zien dat glaskunst meer is dan vazen en schalen, pp.66-68.
“Het Nieuwsblad”, The Netherlands, 20 October, Kunst journal, p. 23.
“Neues Glas 4”, Germany, November/December, Rakow Award for Ann Toots Zynsky (sic).
“Zuerichsee Zeitung”, Zurich, Switzerland, 18 May, Schwerelose Glasgebilde, Sabine Weder-Arlitt.
“Le Figaro Magazine”, Paris, France, 10 September, Antiquités, Suzanne Haitay, p. 176.
The Corning Museum of Glass Annual Report 1988, New York, p. 4.
“Freunden”, Germany, 8 June, Freunden in der Schweiz.
“Annabelle”, Switzerland, No. 10., 17 May, Journal, pp. 194-195.
“Zuercher Altstadt”, Zürich, Switzerland, 5 May, Heute Vernissage in der Sanske-Galerie.
Konstmassan Stockholm Art Fair Sollentuna, 18-22 Mars, 1988, p.224.
“Glas & Keramiek”, The Netherlands, November/December, Vormen in Glas, pp.18-19.
“De Limburger”, The Netherlands, 23 December, Vormen in glas: vier generaties glaskunstenaars.
Grand Prix Des Métiers D’Art, Geneviève, R. (ed.), Bibliothèque nationale du Canada: Quebec, 1988, p.41, p.80.
“Svenska Dagbladet”, Sweden, 18 March, Glas på konstmässa, front page.
“Demeures & Chateaux”, Paris, France, May/June, Temporelles, p.18.
Glass Now ‘87, Takako Sano, Yamaha Corporation, Publishers, Japan.
Toots Zynsky - catalogue, Galerie Clara Scremini, Paris, France.
“Accessoires Paris”, Paris, France, No. 1 November, pp. 74-75.
“Neues Glas”, Germany, 4/87, October/December, Toots Zynsky, Glas für Glas, color for color, Cover photo, Dagmar Sinz, pp. 276-279.
“La revue de la Céramique et du Verre” Paris, France, No. 36
September/October, Toots Zynsky, Sylvie Girard, pp. 38-41.
“Demeures & Chateaux”, France, No. 42, October, Privileges, p. 7, Temporelles, p. 38.
“Le Nouveau VSD”, Paris, France, 22-28 October, La Coupe est pleine, p. 112.
“Kanal Magazine”, Paris, France, No. 37-38-39 Autumn, Le verre Contemporain.
“L’Evenement du Jeudi”, Paris, France, 1-7 October, Toots Zinsky (sic): elle voit la vie en verre, p. 138.
“Intramuros”, Paris, France, September/October, Expositions, p.57
“Industrial Design”, United States, September/October, New & Notable, p. 79
“New Work Glass”, United States, No. 29 Spring, Recent Acquisitions; New York City, by William Warmus, p. 35
“Galeries Magazine”, Paris, France, June/July, p. 107.
“Nouvel Observateur”, Paris, France, 8-14 May, Mythologies 87, Birds of Paradise, by Katiad Kaupp.
“Jardin des Modes”, Paris, France, No. 105, February, Quand l’art renoue avec le verre.
“American Craft”, United States, December 1986/January 1987, National Endowment for the Arts Visual Arts Fellowships 1986, p. 22.
25 Years: Glass as an Art Medium, Hampson, F.C. & Boone, T.J., Habatat Galleries: Lathrup Village, 1987, p. 182.
Craft Today - Poetry of the Physical, Paul Smith & Edward Lucy Smith, Wiedenfelt & Nicolson, publishers for the American Craft Museum.
“American Craft ”, USA, June/July, Portfolio, pp. 46, 47.
New American Glass: Focus 2 West Virginia, Huntington Galleries, Huntington, West VA, USA, June, 1986.
“La Gazette de l’Hotel Drouot”, No. 17 25 April, p. 49.
“Arts, Antiques, Auctions”, Belgium, April, Metiers d’Art, p. 60.
“Beaux Arts Magazine”, Paris, France, No. 34 April, Expositions, p.91.
“The Philadelphia Inquirer”, Pennsylvania, USA, Thursday, October 23, A New York Museum and a show here put focus on craft, by Edward J. Sozanski, p. 5-C.
Contemporary American and European Glass from the Saxe Collection, The Oakland Museum: Oakland, CA, p.26.
Works in Glass: The 14th Annual National Glass Invitational, HABATAT Galleries, Michigan, USA, 1986, p.44 and back cover.
Insight: A Collectors Guide to Contemporary American Glass by Ferdinand Hampson, Elliot Johnston Publishers, Huntington WOods, Michigan, 1989, unpaginated, chapter 16.
Interni Annual, La Casa, Electa Periodici, Milano, Italy, pp. 154, 155.
“Neues Glas “, no. 2, Germany, p. 131.
New Glass Review, Corning Museum of Art, Corning, New York, p. 131.
Glass Now ‘85, Takako Sano, Yamaha Corporation, Publishers, Japan, p. 26.
“Neues Glas”, Germany, January, Artist’s News, Glass - like Fibers, created by Ann Toots Zynsky (sic), p.37.
Glass: State of the Art, Hampson, F., Ellliot Johnston Publishers: Birmingham, Michigan, 1984, p.31.
Sculptural Glass, Vol. II , catalogue, The Tuscon Museum of Art, Tuscon, Arizona.
“Craft International”, USA, January, The Meaning of Materials, Rose Slivka, pp. 10-14.
“Neues Glas”, Germany, English - German edition, 2/83, April/June, Ausstellung/ Exhibition, Tucson Museum of Art: Sculptural Glass, p.93.
“The Boston Globe”, Massachusetts, USA, Thursday, March 18, The Pilchuck School’s Luminous Show Of Glass, Robert Taylor, p. 69.
“Arizona Arts & Travel”, Arizona, September/October, Adventures In Glass, C. Edward Wall, pp. 20-21.
“Arizona Arts and Travel”, Arizona, January, Rebirth of Glorious Glass, Trish Williamson, pp. 8-10.
New Glass Review IV, The Corning Museum of Glass, Corning, NY, USA.
“New Work” - Summer/Fall, The New York Experimental Glass Workshop, New York, USA, p. 2.
“New Work” - Spring, The New York Experimental Glass Workshop, New York, USA, Albinus Elskus, Toots Zynsky, p. 4.
The Fine Art of Private Commissions, Ronald Abramson, Publishers, New York, USA
New Glass III, The Corning Museum of Glass, Corning, NY, USA.
“The Washington Post”, Washington D.C., December 30, Galleries, Private Lives, p. D7.
Works, Toots Zynsky, Linda Norden 1982, p.99
Americans in Glass - catalogue, Leigh Yawkey Woodson Museum, Wausau, Wisconson, USA, p.80.
Glass Routes - Catalogue, De Cordova Museum, Lincoln, Massachusetts, USA.
“New Work”, New York, New York, Edition 4/5/6.
“N.Y. Glass: Sculptural Work Incorporating Glass”, by Mary Ann Zynsky.
New Glass Review I, The Corning Museum of Glass, Corning, NY, USA.
Glass in Sculpture - catalog, Hera Gallery, Wakefield, Rhode Island, USA, April, 1978.
Recent RISD Glass, Rhode Island School of Design, Providence, Rhode Island, USA, p.3.